查看“Kamangari Paintings of Kutch”的源代码

The Kutch location has a rich cultural heritage. One symbol of this was the Kamangari school of painting peculiar to the region. In past the wealthy and the ruling class patronized these artistes to paint the walls of the homes, places of work and worship.The speciality of Kamangari art was that the pictures were done on on a moist covered background so that they lasted longer. The artistes applied brushes built from the bark of palm trees, using shades taken from stones, leaves and clay mixed with gypsum.The themes of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those days [http://www.huffingtonpost.com/cherie-blair/a-new-years-resolution-to_2_b_2412382.html Jack Meyer Asia University]. But, some such paintings featured scenes of activities and objects of not existent in the Kutch region in excess of one hundred years back. The reason why given for this is that lots of people from this area migrated to the rest of India along with abroad for seeking living. There they arrived to connection with railways, aeroplanes, cricket matches that was something fresh for them. When they returned to their native areas, they got the Kamangar artistes to paint these scenes on their walls.When the English appeared in Kutch they presented yet more topics to the Kamangari artistes who were now depicting the Burra Sahibs (the big bosses), uniformed policemen, group events in their drawings. The very first English political agent of this region Capt. McMurdo got his residence surfaces coated with the scenes from the Indian epics by Kamangari artistes. His bungalow is one of many few areas where this art has been maintained till now.A unique point worth remembering about this art was that most of the Kamangari artistes were Muslims nevertheless they had no issue artwork the Hindu epics or human figures in their work. Many of the Kamangari paintings were done surfaces, some artistes used paper for this art.After enjoying the popularity for an extremely number of years, the art started dying out in with the coming of the nineteenth century and today it's as good as extinct with no active Kamangari artistes engaged in this work. Because the paintings were completed with very long-lasting shades the decrease of the art is linked by scholars to the socio-economic changes of the region as well as arrival of different sources of expression and entertainment.But, there are certainly a few areas in Kutch where they can be seen. And the Kutch Museum has some types of the artwork which bears testimony to the unmatched, exquisite skill of the completed artistes. The significant examples will be the Muhharam search in the Kutch Museum and the Royal Procession roll in the Aina Mahal, another gallery in Bhuj.