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The Prince Edward was built-in 1930, at the height of the golden years-of cinema. Their namesake was the Prince of Wales during the time. The architect for the structure was none other than Edward A. Stone, one of many co-designers of Piccadilly Theatre two-years earlier. As the exterior appeared rather harsh for some, the inside of the theatre was plushly and lavishly furnished in soft shades of gold and fuchsia. Seating 1650 patrons, the audience presented completely padded, tip-up chairs, of quite the rage at that time. With the third largest point in most of London, the theatre was made for over-the-top musicals, dramas, revues, and even picture. The proscenium arch for which it was noted was really a masterpiece, with features and niches by Rene Lalique.Performances in the Prince Edward started in-a somewhat inauspicious way. The first offering there, beginning April 3, 1930, was the musical comedy Rio Rita, starring Geoffrey Gwyther and Edith Day. The show have been a definite hit in New York's Ziegfeld Theatre, but was obtained rather coolly in London [http://www.princeedwardcountywebservices.com prince edward county local businesses]. After simply 59 performances the show was ended. The following offering at the theatre was notably effective and began in October 1930. The audio Nippy starred Binnie Hale, a fantastic box office attraction during the time. The big level permitted a comprehensive re-creation of an Austin saloon. Following Nippy a series of short runs included the extravagant Fanfare with Bernard Clifton, which closed after only three weeks.After a few years of significantly less than effective cabarets and industry shows, the theatrical world of London was astonished when Aladdin was shuttered in January 1935 without adequate resources to cover the actors. With the purchase of-the property by way of a syndicate, the Prince Edward was planning to undergo tremendous changes. Upon completion of big kitchens below the level, a rotating dance floor, and staircases linking the various levels of the audience, the theater reopened while The London Casino-on April 2, 1936. Billed as a cabaret-restaurant, its original presenting was the Folies Parisiennes, a hottest revue during the time. The Casino was soon the spot to get in London, developing a reputation for showy, also risqu