Kamangari Paintings of Kutch - 版本历史

2013年5月23日 (四) 09:20 EdricRice1036

2013-05-23T09:20:07Z

2013年4月25日 (四) 09:51 HonoriaAstor1615

2013-04-25T09:51:59Z

PatonMallard2099：新页面: The Kutch location includes a rich cultural history. One symbol with this was the Kamangari school of painting peculiar to the spot. In past the rich and the ruling class patronized these...

2013-02-28T10:28:25Z

新页面: The Kutch location includes a rich cultural history. One symbol with this was the Kamangari school of painting peculiar to the spot. In past the rich and the ruling class patronized these...

新页面

The Kutch location includes a rich cultural history. One symbol with this was the Kamangari school of painting peculiar to the spot. In past the rich and the ruling class patronized these artistes to paint the walls of their houses, workplaces and worship.The specialty of Kamangari art was that the paintings were done on on a moist covered history so that they lasted longer. The artistes applied brushes produced from the bark of palm trees, using shades produced from pebbles, leaves and clay combined with gypsum.The subjects of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those days. However, some such paintings featured scenes of events and things that have been not existent in the Kutch area of more than 100 years ago. The reason given for this is that numerous individuals from this area transferred to other areas of India as well as overseas for seeking profession. There they arrived to experience of railways, planes, cricket matches that was something novel for them. When they came ultimately back to their native sites, they got the Kamangar artistes to paint these scenes on their walls.When the English came in Kutch they presented yet more matters to the Kamangari artistes who were now showing the Burra Sahibs (the big businesses), uniformed policemen, band parties inside their paintings. The initial English political agent of the region Capt. McMurdo got his house surfaces coated with the views from the Indian epics by Kamangari artistes. His bungalow is among the several places where this art has been preserved till now.A special point worth remembering about this art was that a lot of of the Kamangari artistes were Muslims however they had not a problem artwork the Hindu epics or human figures in their work. Many of the Kamangari pictures were done walls, some artistes utilized paper for this art.After enjoying the popularity for an extremely number of years, the art began dying out in with the coming of the nineteenth century and today it's just like vanished with no active Kamangari artistes employed in this work. Because the pictures were done with very long-lasting shades the decline of the art is traced by students to the socio-economic changes of the location as well as introduction of other sources of expression and entertainment.But, there are a few areas in Kutch where they could be seen. And the Kutch Museum has some samples of the artwork which bears testimony to the unmatched, superb talent of the completed artistes. The notable examples will be the Muhharam scroll in the Kutch Museum and the Royal Procession throw in the Aina Mahal, yet another memorial in Bhuj [http://www.ikeafoundation.org/Asian-University-For-Women Access Academy].

←上一版本		2013年5月23日 (四) 09:20的版本
第1行：		第1行：
−	The Kutch location ~~has~~ a rich cultural ~~heritage~~. One symbol of this was the Kamangari school of painting peculiar to the ~~region~~. In ~~past~~ the wealthy and the ruling class patronized these artistes to paint the walls of ~~the~~ homes, ~~places of work~~ and worship.The speciality of Kamangari art was that the ~~pictures~~ were done on on a ~~moist~~ covered background ~~so that they lasted longer~~. The artistes applied brushes built from the bark of palm trees, using ~~shades taken~~ from stones, leaves and clay ~~mixed~~ with gypsum.The ~~themes~~ of the painting were scenes from the Indian epics as also from the ~~day-to-day~~ life of the ~~folks~~ of those days [http://www.huffingtonpost.com/cherie-blair/a-new-years-resolution-to_2_b_2412382.html ~~Jack Meyer~~ Asia University]. ~~But~~, some such paintings ~~featured~~ scenes of activities and ~~objects of~~ not existent in the Kutch region in excess of ~~one hundred~~ years ~~back~~. The reason ~~why~~ given for this is that ~~lots~~ of people from this area ~~migrated~~ to the rest of India along with abroad for seeking ~~living~~. There they ~~arrived to~~ connection with railways, aeroplanes, cricket matches that ~~was~~ something ~~fresh~~ for them. When they ~~returned~~ to their ~~native areas~~, they got the Kamangar artistes to paint these scenes on their walls.When the English ~~appeared~~ in Kutch they ~~presented~~ yet more ~~topics~~ to the Kamangari artistes who ~~were~~ now depicting the Burra Sahibs (the big ~~bosses~~), uniformed policemen, group ~~events in~~ their ~~drawings~~. The ~~very~~ first English political agent of this ~~region~~ Capt. McMurdo got his ~~residence surfaces coated~~ with the ~~scenes~~ from the Indian epics by Kamangari artistes. His bungalow is one of many ~~few~~ areas where this art ~~has been maintained~~ till now.A ~~unique point~~ worth ~~remembering~~ about this art was that most of the Kamangari artistes were Muslims ~~nevertheless~~ they had ~~no issue~~ artwork the Hindu epics or human figures in their work. Many of the Kamangari ~~paintings~~ were done surfaces, some artistes ~~used~~ paper for this art.After enjoying the ~~popularity~~ for an ~~extremely number of years~~, the art ~~started~~ dying out in with the coming of the nineteenth century and ~~today~~ it's as good as ~~extinct~~ with no ~~active~~ Kamangari artistes engaged in this work. ~~Because the paintings were completed with very long~~-~~lasting shades the decrease of~~ the art is ~~linked~~ by ~~scholars~~ to the socio-economic changes of the region as well as ~~arrival~~ of ~~different~~ sources of ~~expression and~~ entertainment.But, there are ~~certainly~~ a few areas in Kutch where they can be seen. And the Kutch Museum has some types of the ~~artwork~~ which bears testimony to the unmatched, exquisite skill of the ~~completed~~ artistes. The ~~significant examples will be~~ the Muhharam ~~search~~ in the Kutch Museum and the Royal Procession ~~roll~~ in the Aina Mahal, another ~~gallery~~ in Bhuj.	+	The Kutch location includes a rich cultural history. One symbol with this was the Kamangari school of painting peculiar to the spot. In old days the wealthy and the ruling class patronized these artistes to paint the walls of their homes, workplaces and worship.The speciality of Kamangari art was so that they lasted longer that the paintings were done on on a damp covered background. The artistes applied brushes built from the bark of palm trees, using colors extracted from stones, leaves and clay blended with gypsum.The matters of the painting were scenes from the Indian epics as also from the life of the people of those days [http://www.huffingtonpost.com/cherie-blair/a-new-years-resolution-to_2_b_2412382.html Asia University]. Nevertheless, some such paintings presented scenes of activities and things that have been not existent in the Kutch region in excess of 100 years ago. The main reason given for this is that a lot of people from this area transferred to the rest of India along with abroad for seeking profession. There they came into connection with railways, aeroplanes, cricket matches that has been something novel for them. When they came ultimately back to their ancient places, they got the Kamangar artistes to paint these scenes on their walls.When the English came in Kutch they provided yet more subjects to the Kamangari artistes who have been now depicting the Burra Sahibs (the big businesses), uniformed policemen, group functions within their paintings. The first English political agent with this place Capt. McMurdo got his house walls painted with the views from the Indian epics by Kamangari artistes. His bungalow is one of many several areas where this art is preserved till now.A particular factor worth noting about this art was that most of-the Kamangari artistes were Muslims but they had not a problem artwork the Hindu epics or human figures in their work. Many of-the Kamangari pictures were done surfaces, some artistes utilized paper for this art.After enjoying the recognition for an incredibly long-time, the art began dying out in with the coming of the nineteenth century and now it's as good as vanished with no productive Kamangari artistes engaged in this work. The decline of-the art is traced by historians to the socio-economic changes of the region as-well as appearance of other sources of entertainment.But and expression since the paintings were completed with very long-lasting shades, there are always a few areas in Kutch where they can be seen. And the Kutch Museum has some types of the art which bears testimony to the unmatched, exquisite skill of the artistes. The notable cases are the Muhharam scroll in the Kutch Museum and the Royal Procession move in the Aina Mahal, another museum in Bhuj.

←上一版本		2013年4月25日 (四) 09:51的版本
第1行：		第1行：
−	The Kutch location ~~includes~~ a rich cultural ~~history~~. One symbol ~~with~~ this was the Kamangari school of painting peculiar to the ~~spot~~. In past the ~~rich~~ and the ruling class patronized these artistes to paint the walls of ~~their houses~~, ~~workplaces~~ and worship.The ~~specialty~~ of Kamangari art was that the ~~paintings~~ were done on on a moist covered ~~history~~ so that they lasted longer. The artistes applied brushes ~~produced~~ from the bark of palm trees, using shades ~~produced~~ from ~~pebbles~~, leaves and clay ~~combined~~ with gypsum.The ~~subjects~~ of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those days. ~~However~~, some such paintings featured scenes of ~~events~~ and ~~things that have been~~ not existent in the Kutch ~~area~~ of ~~more than 100~~ years ~~ago~~. The reason given for this is that ~~numerous individuals~~ from this area ~~transferred~~ to ~~other areas~~ of India ~~as well as overseas~~ for seeking ~~profession~~. There they arrived to ~~experience of~~ railways, ~~planes~~, cricket matches that was something ~~novel~~ for them. When they ~~came ultimately back~~ to their native ~~sites~~, they got the Kamangar artistes to paint these scenes on their walls.When the English ~~came~~ in Kutch they presented yet more ~~matters~~ to the Kamangari artistes who were now ~~showing~~ the Burra Sahibs (the big ~~businesses~~), uniformed policemen, ~~band parties inside~~ their ~~paintings~~. The ~~initial~~ English political agent of ~~the~~ region Capt. McMurdo got his ~~house~~ surfaces coated with the ~~views~~ from the Indian epics by Kamangari artistes. His bungalow is ~~among the several places~~ where this art has been ~~preserved~~ till now.A ~~special~~ point worth remembering about this art was that ~~a lot of~~ of the Kamangari artistes were Muslims ~~however~~ they had ~~not a problem~~ artwork the Hindu epics or human figures in their work. Many of the Kamangari ~~pictures~~ were done ~~walls~~, some artistes ~~utilized~~ paper for this art.After enjoying the popularity for an extremely number of years, the art ~~began~~ dying out in with the coming of the nineteenth century and today it's ~~just like vanished~~ with no active Kamangari artistes ~~employed~~ in this work. Because the ~~pictures~~ were ~~done~~ with very long-lasting shades the ~~decline~~ of the art is ~~traced~~ by ~~students~~ to the socio-economic changes of the ~~location~~ as well as ~~introduction~~ of ~~other~~ sources of expression and entertainment.But, there are a few areas in Kutch where they ~~could~~ be seen. And the Kutch Museum has some ~~samples~~ of the artwork which bears testimony to the unmatched, ~~superb talent~~ of the completed artistes. The ~~notable~~ examples will be the Muhharam ~~scroll~~ in the Kutch Museum and the Royal Procession ~~throw~~ in the Aina Mahal, ~~yet~~ another ~~memorial~~ in Bhuj ~~[http://www.ikeafoundation.org/Asian-University-For-Women Access Academy]~~.	+	The Kutch location has a rich cultural heritage. One symbol of this was the Kamangari school of painting peculiar to the region. In past the wealthy and the ruling class patronized these artistes to paint the walls of the homes, places of work and worship.The speciality of Kamangari art was that the pictures were done on on a moist covered background so that they lasted longer. The artistes applied brushes built from the bark of palm trees, using shades taken from stones, leaves and clay mixed with gypsum.The themes of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those days [http://www.huffingtonpost.com/cherie-blair/a-new-years-resolution-to_2_b_2412382.html Jack Meyer Asia University]. But, some such paintings featured scenes of activities and objects of not existent in the Kutch region in excess of one hundred years back. The reason why given for this is that lots of people from this area migrated to the rest of India along with abroad for seeking living. There they arrived to connection with railways, aeroplanes, cricket matches that was something fresh for them. When they returned to their native areas, they got the Kamangar artistes to paint these scenes on their walls.When the English appeared in Kutch they presented yet more topics to the Kamangari artistes who were now depicting the Burra Sahibs (the big bosses), uniformed policemen, group events in their drawings. The very first English political agent of this region Capt. McMurdo got his residence surfaces coated with the scenes from the Indian epics by Kamangari artistes. His bungalow is one of many few areas where this art has been maintained till now.A unique point worth remembering about this art was that most of the Kamangari artistes were Muslims nevertheless they had no issue artwork the Hindu epics or human figures in their work. Many of the Kamangari paintings were done surfaces, some artistes used paper for this art.After enjoying the popularity for an extremely number of years, the art started dying out in with the coming of the nineteenth century and today it's as good as extinct with no active Kamangari artistes engaged in this work. Because the paintings were completed with very long-lasting shades the decrease of the art is linked by scholars to the socio-economic changes of the region as well as arrival of different sources of expression and entertainment.But, there are certainly a few areas in Kutch where they can be seen. And the Kutch Museum has some types of the artwork which bears testimony to the unmatched, exquisite skill of the completed artistes. The significant examples will be the Muhharam search in the Kutch Museum and the Royal Procession roll in the Aina Mahal, another gallery in Bhuj.