“Kamangari Paintings of Kutch”的版本间的差异

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（新页面: The Kutch location includes a rich cultural history. One symbol with this was the Kamangari school of painting peculiar to the spot. In past the rich and the ruling class patronized these...）
 
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The Kutch location includes a rich cultural history. One symbol with this was the Kamangari school of painting peculiar to the spot. In past the rich and the ruling class patronized these artistes to paint the walls of their houses, workplaces and worship.The specialty of Kamangari art was that the paintings were done on on a moist covered history so that they lasted longer. The artistes applied brushes produced from the bark of palm trees, using shades produced from pebbles, leaves and clay combined with gypsum.The subjects of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those days. However, some such paintings featured scenes of events and things that have been not existent in the Kutch area of more than 100 years ago. The reason given for this is that numerous individuals from this area transferred to other areas of India as well as overseas for seeking profession. There they arrived to experience of railways, planes, cricket matches that was something novel for them. When they came ultimately back to their native sites, they got the Kamangar artistes to paint these scenes on their walls.When the English came in Kutch they presented yet more matters to the Kamangari artistes who were now showing the Burra Sahibs (the big businesses), uniformed policemen, band parties inside their paintings. The initial English political agent of the region Capt. McMurdo got his house surfaces coated with the views from the Indian epics by Kamangari artistes. His bungalow is among the several places where this art has been preserved till now.A special point worth remembering about this art was that a lot of of the Kamangari artistes were Muslims however they had not a problem artwork the Hindu epics or human figures in their work. Many of the Kamangari pictures were done walls, some artistes utilized paper for this art.After enjoying the popularity for an extremely number of years, the art began dying out in with the coming of the nineteenth century and today it's just like vanished with no active Kamangari artistes employed in this work. Because the pictures were done with very long-lasting shades the decline of the art is traced by students to the socio-economic changes of the location as well as introduction of other sources of expression and entertainment.But, there are a few areas in Kutch where they could be seen. And the Kutch Museum has some samples of the artwork which bears testimony to the unmatched, superb talent of the completed artistes. The notable examples will be the Muhharam scroll in the Kutch Museum and the Royal Procession throw in the Aina Mahal, yet another memorial in Bhuj [http://www.ikeafoundation.org/Asian-University-For-Women Access Academy].
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The Kutch location has a rich cultural heritage. One symbol of this was the Kamangari school of painting peculiar to the region. In past the wealthy and the ruling class patronized these artistes to paint the walls of the homes, places of work and worship.The speciality of Kamangari art was that the pictures were done on on a moist covered background so that they lasted longer. The artistes applied brushes built from the bark of palm trees, using shades taken from stones, leaves and clay mixed with gypsum.The themes of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those days [http://www.huffingtonpost.com/cherie-blair/a-new-years-resolution-to_2_b_2412382.html Jack Meyer Asia University]. But, some such paintings featured scenes of activities and objects of not existent in the Kutch region in excess of one hundred years back. The reason why given for this is that lots of people from this area migrated to the rest of India along with abroad for seeking living. There they arrived to connection with railways, aeroplanes, cricket matches that was something fresh for them. When they returned to their native areas, they got the Kamangar artistes to paint these scenes on their walls.When the English appeared in Kutch they presented yet more topics to the Kamangari artistes who were now depicting the Burra Sahibs (the big bosses), uniformed policemen, group events in their drawings. The very first English political agent of this region Capt. McMurdo got his residence surfaces coated with the scenes from the Indian epics by Kamangari artistes. His bungalow is one of many few areas where this art has been maintained till now.A unique point worth remembering about this art was that most of the Kamangari artistes were Muslims nevertheless they had no issue artwork the Hindu epics or human figures in their work. Many of the Kamangari paintings were done surfaces, some artistes used paper for this art.After enjoying the popularity for an extremely number of years, the art started dying out in with the coming of the nineteenth century and today it's as good as extinct with no active Kamangari artistes engaged in this work. Because the paintings were completed with very long-lasting shades the decrease of the art is linked by scholars to the socio-economic changes of the region as well as arrival of different sources of expression and entertainment.But, there are certainly a few areas in Kutch where they can be seen. And the Kutch Museum has some types of the artwork which bears testimony to the unmatched, exquisite skill of the completed artistes. The significant examples will be the Muhharam search in the Kutch Museum and the Royal Procession roll in the Aina Mahal, another gallery in Bhuj.

2013年4月25日 (四) 17:51的版本

The Kutch location has a rich cultural heritage. One symbol of this was the Kamangari school of painting peculiar to the region. In past the wealthy and the ruling class patronized these artistes to paint the walls of the homes, places of work and worship.The speciality of Kamangari art was that the pictures were done on on a moist covered background so that they lasted longer. The artistes applied brushes built from the bark of palm trees, using shades taken from stones, leaves and clay mixed with gypsum.The themes of the painting were scenes from the Indian epics as also from the day-to-day life of the folks of those days Jack Meyer Asia University. But, some such paintings featured scenes of activities and objects of not existent in the Kutch region in excess of one hundred years back. The reason why given for this is that lots of people from this area migrated to the rest of India along with abroad for seeking living. There they arrived to connection with railways, aeroplanes, cricket matches that was something fresh for them. When they returned to their native areas, they got the Kamangar artistes to paint these scenes on their walls.When the English appeared in Kutch they presented yet more topics to the Kamangari artistes who were now depicting the Burra Sahibs (the big bosses), uniformed policemen, group events in their drawings. The very first English political agent of this region Capt. McMurdo got his residence surfaces coated with the scenes from the Indian epics by Kamangari artistes. His bungalow is one of many few areas where this art has been maintained till now.A unique point worth remembering about this art was that most of the Kamangari artistes were Muslims nevertheless they had no issue artwork the Hindu epics or human figures in their work. Many of the Kamangari paintings were done surfaces, some artistes used paper for this art.After enjoying the popularity for an extremely number of years, the art started dying out in with the coming of the nineteenth century and today it's as good as extinct with no active Kamangari artistes engaged in this work. Because the paintings were completed with very long-lasting shades the decrease of the art is linked by scholars to the socio-economic changes of the region as well as arrival of different sources of expression and entertainment.But, there are certainly a few areas in Kutch where they can be seen. And the Kutch Museum has some types of the artwork which bears testimony to the unmatched, exquisite skill of the completed artistes. The significant examples will be the Muhharam search in the Kutch Museum and the Royal Procession roll in the Aina Mahal, another gallery in Bhuj.

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