“The Prince Edward Theatre London”的版本间的差异

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（新页面: The Prince Edward was built-in 1930, at the height of the golden years-of cinema. Their namesake was the Prince of Wales during the time. The architect for the structure was none other th...）
 
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The Prince Edward was built-in 1930, at the height of the golden years-of cinema. Their namesake was the Prince of Wales during the time. The architect for the structure was none other than Edward A. Stone, one of many co-designers of Piccadilly Theatre two-years earlier. As the exterior appeared rather harsh for some, the inside of the theatre was plushly and lavishly furnished in soft shades of gold and fuchsia. Seating 1650 patrons, the audience presented completely padded, tip-up chairs, of quite the rage at that time. With the third largest point in most of London, the theatre was made for over-the-top musicals, dramas, revues, and even picture. The proscenium arch for which it was noted was really a masterpiece, with features and niches by Rene Lalique.Performances in the Prince Edward started in-a somewhat inauspicious way. The first offering there, beginning April 3, 1930, was the musical comedy Rio Rita, starring Geoffrey Gwyther and Edith Day. The show have been a definite hit in New York's Ziegfeld Theatre, but was obtained rather coolly in London [http://www.princeedwardcountywebservices.com prince edward county local businesses]. After simply 59 performances the show was ended. The following offering at the theatre was notably effective and began in October 1930. The audio Nippy starred Binnie Hale, a fantastic box office attraction during the time. The big level permitted a comprehensive re-creation of an Austin saloon. Following Nippy a series of short runs included the extravagant Fanfare with Bernard Clifton, which closed after only three weeks.After a few years of significantly less than effective cabarets and industry shows, the theatrical world of London was astonished when Aladdin was shuttered in January 1935 without adequate resources to cover the actors. With the purchase of-the property by way of a syndicate, the Prince Edward was planning to undergo tremendous changes. Upon completion of big kitchens below the level, a rotating dance floor, and staircases linking the various levels of the audience, the theater reopened while The London Casino-on April 2, 1936. Billed as a cabaret-restaurant, its original presenting was the Folies Parisiennes, a hottest revue during the time. The Casino was soon the spot to get in London, developing a reputation for showy, also risqu
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The Prince Edward was built in 1930, at the level of the golden years of cinema. Its namesake was the Prince of Wales at the time. The architect for the design was the one and only Edward A [http://www.princeedwardcountywebservices.com prince edward county web design company]. Rock, one of the co-designers of Piccadilly Theatre 2 yrs earlier. The inner of the theater was plushly and lavishly decorated in soft shades of gold and fuchsia, whilst the Italianate exterior appeared somewhat harsh for some. Sitting 1650 people, the auditorium presented entirely padded, tip-up seats, of quite the rage during the time. Together with the third-largest stage in most of London, the theater was designed for over-the-top musicals, dramas, revues, and also film. The proscenium arch that it was mentioned was undoubtedly a masterpiece, with fountains and markets by Rene Lalique.Performances in the Prince Edward began in a fairly inauspicious manner. The first offering there, opening April 3, 1930, was the musical comedy Rio Rita, starring Geoffrey Gwyther and Edith Day. The show have been a resounding attack in New York's Ziegfeld Theatre, but was obtained very coolly in London. After just 59 routines the show was postponed. Another offering in the cinema began in October 1930 and was significantly effective. The musical Nippy starred Binnie Hale, a fantastic box-office attraction at the time. The enormous level made possible an extensive recreation of an Austin saloon. Following Nippy a series of short runs included the gorgeous Fanfare with Bernard Clifton, which closed after only three weeks.After many years of less-than effective cabarets and trade movies, the theatrical world of London was amazed when Aladdin was shuttered in January 1935 without adequate funds to pay for the actors. With the purchase of the property by way of a syndicate, the Prince Edward was going to endure great changes. Upon completion of big kitchens below the stage, a revolving dance floor, and stairs relating the various degrees of the auditorium, the theater re-opened whilst The London Casino on April 2, 1936. Billed as a cabaret-restaurant, its original offering was the Folies Parisiennes, a hottest revue during the time. The Casino was soon the area to go in London, developing a reputation for gaudy, also risqu

2013年7月5日 (五) 04:35的版本

The Prince Edward was built in 1930, at the level of the golden years of cinema. Its namesake was the Prince of Wales at the time. The architect for the design was the one and only Edward A prince edward county web design company. Rock, one of the co-designers of Piccadilly Theatre 2 yrs earlier. The inner of the theater was plushly and lavishly decorated in soft shades of gold and fuchsia, whilst the Italianate exterior appeared somewhat harsh for some. Sitting 1650 people, the auditorium presented entirely padded, tip-up seats, of quite the rage during the time. Together with the third-largest stage in most of London, the theater was designed for over-the-top musicals, dramas, revues, and also film. The proscenium arch that it was mentioned was undoubtedly a masterpiece, with fountains and markets by Rene Lalique.Performances in the Prince Edward began in a fairly inauspicious manner. The first offering there, opening April 3, 1930, was the musical comedy Rio Rita, starring Geoffrey Gwyther and Edith Day. The show have been a resounding attack in New York's Ziegfeld Theatre, but was obtained very coolly in London. After just 59 routines the show was postponed. Another offering in the cinema began in October 1930 and was significantly effective. The musical Nippy starred Binnie Hale, a fantastic box-office attraction at the time. The enormous level made possible an extensive recreation of an Austin saloon. Following Nippy a series of short runs included the gorgeous Fanfare with Bernard Clifton, which closed after only three weeks.After many years of less-than effective cabarets and trade movies, the theatrical world of London was amazed when Aladdin was shuttered in January 1935 without adequate funds to pay for the actors. With the purchase of the property by way of a syndicate, the Prince Edward was going to endure great changes. Upon completion of big kitchens below the stage, a revolving dance floor, and stairs relating the various degrees of the auditorium, the theater re-opened whilst The London Casino on April 2, 1936. Billed as a cabaret-restaurant, its original offering was the Folies Parisiennes, a hottest revue during the time. The Casino was soon the area to go in London, developing a reputation for gaudy, also risqu

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